The Notion of an Imaginary Space in Music: Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts
Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt
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The Notion of an Imaginary Space in Music : Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts. / Petersen, Nils Holger.
In-visibility: Reflections upon Visibility and Transcendence in Theology, Philosophy and the Arts. red. / Anna Vind; Iben Damgaard; Kirsten Busch Nielsen; Sven Rune Havsteen. Göttingen : Vandenhoeck & Ruprecht, 2020. s. 339 - 359 (Refo500 Academic Studies, Bind 18).Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt
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TY - CHAP
T1 - The Notion of an Imaginary Space in Music
T2 - Interpreting Mozart's Requiem in Liturgical, Denominational, and Secular Contexts
AU - Petersen, Nils Holger
PY - 2020
Y1 - 2020
N2 - Taking its point of departure in the traditional musicological question of how tounderstand the notion of the “musical work” – in terms of its – visible – notationor its – invisible – performance? – this article discusses the consequences of newlistening practices for historical compositions of liturgical texts in other religiousor secular contexts than the original. The article raises the question, what thismay mean for the understanding of the musical work. Based on a philosophicalidea expressed by the Danish theologian-philosopher K.E. Løgstrup, this leads tonotions of different imaginary (and thus invisible) musical spaces connected towhat is traditionally understood as one musical work. Along the way, Mozart’sRequiem (1791) and its reception history are used as the overarching example.
AB - Taking its point of departure in the traditional musicological question of how tounderstand the notion of the “musical work” – in terms of its – visible – notationor its – invisible – performance? – this article discusses the consequences of newlistening practices for historical compositions of liturgical texts in other religiousor secular contexts than the original. The article raises the question, what thismay mean for the understanding of the musical work. Based on a philosophicalidea expressed by the Danish theologian-philosopher K.E. Løgstrup, this leads tonotions of different imaginary (and thus invisible) musical spaces connected towhat is traditionally understood as one musical work. Along the way, Mozart’sRequiem (1791) and its reception history are used as the overarching example.
KW - Faculty of Theology
KW - Liturgical Music
KW - Løgstrup's notion of Imaginary Space
KW - holiness in poetry and music
KW - Faculty of Humanities
KW - Mozart's Requiem
KW - Music
KW - work esthetics
KW - the sublime
M3 - Book chapter
SN - 978-3-525-55071-7
T3 - Refo500 Academic Studies
SP - 339
EP - 359
BT - In-visibility
A2 - Vind, Anna
A2 - Damgaard, Iben
A2 - Nielsen, Kirsten Busch
A2 - Havsteen, Sven Rune
PB - Vandenhoeck & Ruprecht
CY - Göttingen
ER -
ID: 251025823