Extending the ethnographic toolbox: photovoice and everyday experiences of marginalised groups

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Extending the ethnographic toolbox : photovoice and everyday experiences of marginalised groups. / Mortensen, Sofie; Questiaux, François.

In: Gender, Place and Culture, 11.01.2024.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Mortensen, S & Questiaux, F 2024, 'Extending the ethnographic toolbox: photovoice and everyday experiences of marginalised groups', Gender, Place and Culture. https://doi.org/10.1080/0966369X.2023.2298788

APA

Mortensen, S., & Questiaux, F. (2024). Extending the ethnographic toolbox: photovoice and everyday experiences of marginalised groups. Gender, Place and Culture. https://doi.org/10.1080/0966369X.2023.2298788

Vancouver

Mortensen S, Questiaux F. Extending the ethnographic toolbox: photovoice and everyday experiences of marginalised groups. Gender, Place and Culture. 2024 Jan 11. https://doi.org/10.1080/0966369X.2023.2298788

Author

Mortensen, Sofie ; Questiaux, François. / Extending the ethnographic toolbox : photovoice and everyday experiences of marginalised groups. In: Gender, Place and Culture. 2024.

Bibtex

@article{0518438532864cca9f9b2a310b7f0c94,
title = "Extending the ethnographic toolbox: photovoice and everyday experiences of marginalised groups",
abstract = "This paper explores how photovoice can be used to understand the everyday life experiences of marginalised groups. We ask what kind of knowledge photovoice elicits and how this contributes to other ethnographic methods to enhance our understanding of subjective experiences. Based on two photovoice projects in Ghana/Burkina Faso and Thailand we show that participants generate aesthetic accounts of their everyday life that are both poetic and emotional. Drawing on feminist approaches to agency, we argue that the aesthetic construction of photos and stories permits us a different insight into how participants reflect on their conditions, perceive power dynamics within social structures and, in doing so construct (political) messages. Without overlooking the oppressive structures that they navigate, their accounts highlight their constrained agency and contrast victimising accounts. As such, we extend the use of photovoice beyond a tool for empowerment to reflect on its contributions as a visual method to methodological and theoretical debates around everyday, emotional experiences and how these, as argued within feminist geography, are constituted on different scales.",
keywords = "emotions, ethnography, everyday experiences, feminist geography, Photovoice, visual methods",
author = "Sofie Mortensen and Fran{\c c}ois Questiaux",
note = "Publisher Copyright: {\textcopyright} 2024 Informa UK Limited, trading as Taylor & Francis Group.",
year = "2024",
month = jan,
day = "11",
doi = "10.1080/0966369X.2023.2298788",
language = "English",
journal = "Gender, Place, and Culture",
issn = "0966-369X",
publisher = "Taylor & Francis Online",

}

RIS

TY - JOUR

T1 - Extending the ethnographic toolbox

T2 - photovoice and everyday experiences of marginalised groups

AU - Mortensen, Sofie

AU - Questiaux, François

N1 - Publisher Copyright: © 2024 Informa UK Limited, trading as Taylor & Francis Group.

PY - 2024/1/11

Y1 - 2024/1/11

N2 - This paper explores how photovoice can be used to understand the everyday life experiences of marginalised groups. We ask what kind of knowledge photovoice elicits and how this contributes to other ethnographic methods to enhance our understanding of subjective experiences. Based on two photovoice projects in Ghana/Burkina Faso and Thailand we show that participants generate aesthetic accounts of their everyday life that are both poetic and emotional. Drawing on feminist approaches to agency, we argue that the aesthetic construction of photos and stories permits us a different insight into how participants reflect on their conditions, perceive power dynamics within social structures and, in doing so construct (political) messages. Without overlooking the oppressive structures that they navigate, their accounts highlight their constrained agency and contrast victimising accounts. As such, we extend the use of photovoice beyond a tool for empowerment to reflect on its contributions as a visual method to methodological and theoretical debates around everyday, emotional experiences and how these, as argued within feminist geography, are constituted on different scales.

AB - This paper explores how photovoice can be used to understand the everyday life experiences of marginalised groups. We ask what kind of knowledge photovoice elicits and how this contributes to other ethnographic methods to enhance our understanding of subjective experiences. Based on two photovoice projects in Ghana/Burkina Faso and Thailand we show that participants generate aesthetic accounts of their everyday life that are both poetic and emotional. Drawing on feminist approaches to agency, we argue that the aesthetic construction of photos and stories permits us a different insight into how participants reflect on their conditions, perceive power dynamics within social structures and, in doing so construct (political) messages. Without overlooking the oppressive structures that they navigate, their accounts highlight their constrained agency and contrast victimising accounts. As such, we extend the use of photovoice beyond a tool for empowerment to reflect on its contributions as a visual method to methodological and theoretical debates around everyday, emotional experiences and how these, as argued within feminist geography, are constituted on different scales.

KW - emotions

KW - ethnography

KW - everyday experiences

KW - feminist geography

KW - Photovoice

KW - visual methods

U2 - 10.1080/0966369X.2023.2298788

DO - 10.1080/0966369X.2023.2298788

M3 - Journal article

AN - SCOPUS:85182189701

JO - Gender, Place, and Culture

JF - Gender, Place, and Culture

SN - 0966-369X

ER -

ID: 380217935